{"id":24865,"date":"2022-09-21T09:00:49","date_gmt":"2022-09-21T07:00:49","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=24865"},"modified":"2022-11-03T22:05:11","modified_gmt":"2022-11-03T21:05:11","slug":"polacca-trionfante-bach-haendel","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/polacca-trionfante-bach-haendel\/","title":{"rendered":"POLACCA TRIONFANTE \/ BACH \u2013 HAENDEL. ARIAS AND ENSEMBLES IN THE POLISH STYLE"},"content":{"rendered":"

Johann Adolph Scheibe<\/span>, an 18th-century theorist and composer, listed the Polish style as the fourth – next to Italian, French and German – of the national European styles, thus indicating its high rank. Propagated especially by Georg Philipp Telemann, it is also reflected in the works of the greatest masters of the Baroque era – Johann Sebastian Bach and Georg Friedrich Haendel.<\/p>\n

In the work of Johann Sebastian Bach, the rhythm of the polonaise is a symbol of power – both earthly and divine. Hence, arias and ensembles from his church cantatas celebrating the might of God are often given the form of the Polish dance. One of the best examples is the solemn chorus Ehre sei dir, Gott, gesungen<\/em>\u00a0from the famous Weihnachts-Oratorio<\/em>, which will be heard at the end of the concert.<\/p>\n

Georg Friedrich Haendel also saw the potential of the musical idiom from the Polish Commonwealth, as evidenced by the incorporation of a refined polonaise as the fourth movement of the Concerto Grosso<\/em> Op. 6 No.3 (HWV 321). Haendel also used the characteristic rhythm and triple meter of the Polish dance in his operas, in a variety of musical contexts. In the aria of Oronto Ma non s’aspetti<\/em> from Act II of Floridante<\/em>, these typical features emphasize the character’s agitation, in Ariodante<\/em> we find them in the passage expressing despair (Scherza infida<\/em>), while in Partenope<\/em> they resound in a declaration of love (Voglio amare insin ch’io moro<\/em>).<\/p>\n

 <\/p>\n

PROGRAM<\/strong><\/h4>\n

Johann Sebastian Bach (1685\u20131750)<\/strong><\/p>\n

Nun komm der Heiden Heiland<\/em>\u00a0from the cantata\u00a0Nun komm der Heiden Heiland<\/em>
\nMein Jesus will es tun<\/em> from the cantata Alles nur nach Gottes Willen<\/em> BWV 72
\nJa, ja, ich kann die Feinde schlagen<\/em> from the cantata Selig ist der Mann<\/em> BWV 57
\nAch, schlage doch bald, selge Stunde<\/em> from the cantata Christus, der ist mein Leben <\/em>BWV 95
\nEin ungef\u00e4rbt Gem\u00fcte<\/em> from the cantata Ein ungef\u00e4rbt Gem\u00fcte<\/em> BWV 24
\nGott, der du die Liebe heist<\/em> from the cantata Allein zu Dir, Herr Jesu Christ<\/em> BWV 33<\/p>\n

Georg Friedrich Haendel (1685\u20131759)<\/strong><\/p>\n

Polonaise<\/em>\u00a0from Concerto grosso in E minor op. 6 No 3
\nScherza infida<\/em> from the opera\u00a0Ariodante<\/em>
\nMa non s’aspetti<\/em> from the opera Floridante<\/em>
\nVoglio amare insin ch’io moro<\/em> from the opera Partenope<\/em>
\nLa gloria in nobil alma<\/em> from the opera Partenope<\/em><\/p>\n

Johann Sebastian Bach (1685\u20131750)<\/strong><\/p>\n

Ehre sei dir, Gott, gesungen<\/em>\u00a0from Weihnachts-Oratorium BWV 248 (SATB)<\/p>\n

PERFORMERS<\/strong><\/h4>\n

JULITA MIROS\u0141AWSKA<\/strong><\/a> SOPRANO
\nANETA \u0141UKASZEWICZ<\/strong><\/a> ALTO
\nKAROL KOZ\u0141OWSKI<\/strong> TENOR
\nJAROS\u0141AW BR\u0118K<\/strong> BASS<\/p>\n

THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/strong><\/a><\/p>\n

JAKUB BURZY\u0143SKI<\/strong>\u00a0CONDUCTOR<\/p>\n

 <\/p>\n

\n
Duration: approx. 1 h<\/h5>\n
The seats in the auditorium are not numbered.<\/h5>\n","protected":false},"excerpt":{"rendered":"

Johann Adolph Scheibe, an 18th-century theorist and composer, listed the Polish style as the fourth – next to Italian, French and German – of the national European styles, thus indicating its high rank. Propagated especially by Georg Philipp Telemann, it is also reflected in the works of the greatest masters of the Baroque era – […]<\/p>\n","protected":false},"author":15,"featured_media":11656,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[],"cykle":[],"sezon":[63],"class_list":["post-24865","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","sezon-2022-2023-en"],"acf":[],"yoast_head":"\nPOLACCA TRIONFANTE \/ BACH \u2013 HAENDEL. 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