{"id":23754,"date":"2022-05-19T10:00:34","date_gmt":"2022-05-19T08:00:34","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=23754"},"modified":"2022-06-20T11:12:10","modified_gmt":"2022-06-20T09:12:10","slug":"the-5th-festival-of-the-polish-royal-opera-polish-music-job-hiob-krzesimir-debski","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/the-5th-festival-of-the-polish-royal-opera-polish-music-job-hiob-krzesimir-debski\/","title":{"rendered":"THE 5th FESTIVAL OF THE POLISH ROYAL OPERA \u2013 POLISH MUSIC | JOB (HIOB) \/ KRZESIMIR D\u0118BSKI"},"content":{"rendered":"

Work commissioned by the Polish Royal Opera.<\/strong><\/span><\/p>\n

 <\/p>\n

I myself wrote a new drama with Greek form, Christian spirit, eternal content [\u2026]. A drama about suffering: “Job”.<\/em><\/p>\n

This is how the twenty-year-old Karol Wojty\u0142a wrote about his work in 1940 in a letter to his friend – Mieczys\u0142aw Kotlarczyk. The young playwright read the Old Testament tale of innocent suffering and the steadfastness of faith from a Christological perspective, and saw its parallel with the fate of Poland plunged in the horrors of war.<\/p>\n

Krzesimir D\u0119bski’s opera is full of bold juxtapositions of archaic language with modern orchestration techniques and the captivating sound of the choir’s commentary, reminiscent of a Greek tragedy. It is not without significance that the premiere of the work, originally planned for May 2020, had to be postponed twice due to the pandemic, to finally take place in April 2021 – yet in its online version, without the participation of the audience. It is only during the 5th Festival of the Polish Opera that the enthusiasts of the genre will have the chance to enjoy the opera live in the theatre. Perhaps, however, all these difficult circumstances will strengthen the universal message of the work. It is, as the composer himself emphasizes, “an opera […] about the fate of a man who has fallen into misfortunes and then arises from this fall”.<\/p>\n

 <\/p>\n

MUSIC DIRECTOR TADEUSZ KAROLAK<\/strong><\/p>\n

DIRECTED BY TOMASZ CYZ
\n<\/strong>SET DESIGNER NATALIA KITAMIKADO
\n<\/strong>CHOREOGRAPHY NATALIA DINGES
\n<\/strong>LIGHTING DESIGN KATARZYNA \u0141USZCZYK
\n<\/strong>CHORUS MASTER \u00a0KAROL SZWECH<\/strong><\/a>
\nASSISTANT CONDUCTOR KAROL SZWECH<\/strong><\/a>
\nAASSISTANT DIRECTOR S\u0141AWOMIR JURCZAK<\/strong><\/a>
\nII ASSISTANT DIRECTOR AGNIESZKA KOZ\u0141OWSKA<\/strong><\/a>
\nSTAGE MANAGER DOROTA LACHOWICZ<\/strong><\/p>\n

 <\/p>\n

CAST<\/strong><\/h4>\n

JOB \u00a0ADAM KRUSZEWSKI<\/strong>
\nELIPHAZ\u00a0 JAKUB BOROWCZYK<\/strong>
\nJOB’S WIFE\u00a0 ANETA \u0141UKASZEWICZ<\/strong><\/a>
\nCHORUS MEMBER I, ELIPHAZ SYLWESTER SMULCZY\u0143SKI<\/strong><\/a>
\nCHORUS MEMBER II\u00a0\u00a0PAWE\u0141 KOWALEWSKI<\/strong>
\nCHORUS MEMBER III, ZOPHAR \u00a0MACIEJ GRONEK<\/strong>
\nCHORUS MEMBER IV, STABLE HAND GRZEGORZ \u017bO\u0141YNIAK<\/strong>
\nTHE FALLEN, SHEPHERD, SHEPHERD’S HAND, SERVANT, BILDAD \u00a0LESZEK \u015aWIDZI\u0143SKI<\/strong><\/a>
\nPROLOGOS \/ EPILOGOS\u00a0 PAWE\u0141 MICHALCZUK<\/strong><\/a>
\nCHILD JAN CZAJKA<\/strong><\/p>\n

THE CHORUS OF THE POLISH ROYAL OPERA<\/b><\/a><\/p>\n

THE ORCHESTRA OF THE POLISH ROYAL OPERA<\/strong><\/a><\/p>\n

CONDUCTOR TADEUSZ KAROLAK<\/strong><\/p>\n

 <\/p>\n

\n
The seats in the auditorium are not numbered.<\/h5>\n
PLEASE NOTE: the entrance to the Royal Theatre in \u0141azienki Park is located in Agrykola street.<\/strong><\/h5>\n
One hour before the performance as well as for an hour after it is finished, the audience can use the electric cart running between the Royal Theater and the \u0141azienki Gate at the corner of My\u015bliwiecka \/ Agrykola streets.<\/h5>\n
\n

The media patron of the 5th Festival of the Polish Royal Opera is<\/strong> \"\"<\/p>\n

The partner of the 5th Festival of the Polish Royal Opera is \"\"<\/strong><\/h5>\n","protected":false},"excerpt":{"rendered":"

Work commissioned by the Polish Royal Opera.   I myself wrote a new drama with Greek form, Christian spirit, eternal content [\u2026]. A drama about suffering: “Job”. This is how the twenty-year-old Karol Wojty\u0142a wrote about his work in 1940 in a letter to his friend – Mieczys\u0142aw Kotlarczyk. The young playwright read the Old […]<\/p>\n","protected":false},"author":15,"featured_media":18947,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[],"cykle":[],"sezon":[62],"class_list":["post-23754","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","sezon-2021-2022-en"],"acf":[],"yoast_head":"\nTHE 5th FESTIVAL OF THE POLISH ROYAL OPERA \u2013 POLISH MUSIC | JOB (HIOB) \/ KRZESIMIR D\u0118BSKI - Polska Opera Królewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/the-5th-festival-of-the-polish-royal-opera-polish-music-job-hiob-krzesimir-debski\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE 5th FESTIVAL OF THE POLISH ROYAL OPERA \u2013 POLISH MUSIC | JOB (HIOB) \/ KRZESIMIR D\u0118BSKI - Polska Opera Królewska\" \/>\n<meta property=\"og:description\" content=\"Work commissioned by the Polish Royal Opera.   I myself wrote a new drama with Greek form, Christian spirit, eternal content [\u2026]. 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