{"id":23545,"date":"2022-04-22T11:00:23","date_gmt":"2022-04-22T09:00:23","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=23545"},"modified":"2022-06-06T16:31:37","modified_gmt":"2022-06-06T14:31:37","slug":"operatic-arias","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/operatic-arias\/","title":{"rendered":"OPERATIC ARIAS"},"content":{"rendered":"<p style=\"text-align: justify;\">Whether in the era of Viennese masters, in the heyday of Romanticism, or in the late nineteenth century, opera arias are a field for compositional refinement and performance artistry. They not only content carry the content of the text, but also reveal the characters&#8217; personality, their bad or good intentions. The often extreme emotions they experience &#8211; from euphoria to despair &#8211; are enchanted in the monologues of the characters of dramas.<\/p>\n<p>During the concert, we will hear fragments from the famous stage works of Mozart, from Beethoven&#8217;s only opera, from compositions by such Italian masters as Bellini and Verdi, and from representatives of the French operatic tradition &#8211; Bizet or Gounod. Outstanding singers &#8211; Monika Ledzion-Porczy\u0144ska and Wojtek Gierlach &#8211; accompanied by Dagmara Dudzi\u0144ska at the piano, will embody both the characters from comic operas (such as Cherubin or Figaro from<em> Le nozze di Figaro<\/em>) and tragic heroes &#8211; for example, the lovesick Santuzza from the verismo opera <em>Cavalleria rusticana Mascagni<\/em>. The audience will also have the opportunity to listen to Dalila&#8217;s song of betrayal from the work of Saint-Sa\u00ebns and experience the devilish cunning of Mephisto from Gounod&#8217;s opera <em>Faust<\/em>. The arias selected for the program contain a whole range of emotions presented in a variety of musical styles.<\/p>\n<h4 style=\"text-align: center;\"><strong>PROGRAM<\/strong><\/h4>\n<p style=\"text-align: center;\">W.A. Mozart \u2013 <em>Voi che sapete<\/em> \u2013 aria (Cherubino) from the opera <em>Le nozze di Figaro<\/em><br \/>\nW.A. Mozart \u2013 <em>Smanie implacabili<\/em> \u2013 aria (Dorabella)\u00a0from the opera <em>Cos\u00ec fan tutte<\/em><br \/>\nW.A. Mozart <em>\u2013 In diesen heil\u2019gen Hallen \u2013 <\/em>aria (Sarastro) from the opera<em> Die Zauberfl\u00f6te<\/em><br \/>\nL. van Beethoven \u2013 <em>Hat man nicht auch Gold beineben<\/em> \u2013 aria (Rocco)\u00a0from the opera <em>Fidelio<\/em><br \/>\nG. Bizet \u2013 <em>L&#8217;amour est un oiseau rebelle<\/em> (Habanera) \u2013 aria (Carmen) from the opera <em>Carmen<\/em><br \/>\nP. Mascagni \u2013 <em>Voi lo sapete, o mamma<\/em> \u2013 aria (Santuzza)\u00a0from the opera <em>Cavalleria rusticana<\/em><br \/>\nV. Bellini \u2013 <em>Vi ravviso, o luoghi ameni<\/em> \u2013 aria (Count Rodolfo)\u00a0from the opera <em>La sonnambula<\/em><br \/>\nG. Verdi \u2013 <em>O Patria&#8230; o tu Palermo<\/em> \u2013 aria (Procida) from <em>I Vespri Siciliani<\/em><br \/>\nC. Saint-Sa\u00ebns \u2013 <em>Mon coeur s&#8217;ouvre \u00e0 tavoix<\/em> \u2013 aria (Delilah) from the opera <em>Samson and Delilah<\/em><br \/>\nCh. Gounod \u2013 serenade (Mefisto)\u00a0from the opera <em>Faust<\/em><br \/>\nW.A. Mozart \u2013 <em>Deh vieni alla finestra<\/em> \u2013 serenade (Don Giovanni)\u00a0from the opera <em>Don Giovanni<\/em><br \/>\nW.A. Mozart \u2013 <em>La ci darem la mano<\/em> \u2013 duet (Zerlina and Don Giovanni)\u00a0from the opera <em>Don Giovanni<\/em><\/p>\n<h4 style=\"text-align: center;\"><strong>PERFORMERS<\/strong><\/h4>\n<p style=\"text-align: center;\"><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/monika-ledzion-porczynska\/\"><b>MONIKA LEDZION-PORCZY\u0143SKA<\/b><\/a> MEZZOSOPRANO<br \/>\n<a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/wojtek-gierlach\/\"><b>WOJTEK GIERLACH<\/b><\/a> BASS<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Whether in the era of Viennese masters, in the heyday of Romanticism, or in the late nineteenth century, opera arias are a field for compositional refinement and performance artistry. They not only content carry the content of the text, but also reveal the characters&#8217; personality, their bad or good intentions. The often extreme emotions they [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":21951,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[],"cykle":[],"sezon":[62],"class_list":["post-23545","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","sezon-2021-2022-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>OPERATIC ARIAS - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/operatic-arias\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"OPERATIC ARIAS - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"Whether in the era of Viennese masters, in the heyday of Romanticism, or in the late nineteenth century, opera arias are a field for compositional refinement and performance artistry. 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