{"id":23117,"date":"2022-03-24T09:30:31","date_gmt":"2022-03-24T08:30:31","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=23117"},"modified":"2022-04-26T15:47:05","modified_gmt":"2022-04-26T13:47:05","slug":"early-music-at-the-royal-castle-italian-baroque","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/early-music-at-the-royal-castle-italian-baroque\/","title":{"rendered":"EARLY MUSIC AT THE ROYAL CASTLE \/ ITALIAN BAROQUE"},"content":{"rendered":"<p style=\"text-align: justify;\">The fame of the Italian masters of the 17th and 18th centuries radiated throughout Europe, and their contributions to the development of musical means of expression inspired many artists. Naples, Venice and Rome became cultural centres where composers from various countries came to get musical experience. Among the multitude of genres, cantatas occupied an important place. Created and performed by the greatest artists of the era, they were a highlight of gatherings held at aristocratic courts.<\/p>\n<p style=\"text-align: justify;\">The concert will open with a composition by Benedetto Marcello (1686-1739) &#8211; a Venetian nobleman who successfully combined his love of musical creativity with his public duties. In the cantata <em>Arianna abbandonata<\/em>, Marcello excellently employs a variety of melodic and rhythmic techniques, reflecting the despair of the heroine abandoned by Theseus, and then her excitement at the expected meeting with Dionysus. The theme of despised love is also present in the moving piece <em>Ombre tacite e sole<\/em> by Alessandro Scarlatti (1660-1725), a master of the Neapolitan school. Representatives of this group of artists also include Nicola Antonio Porpora (1686-1768) and Giovanni Battista Pergolesi (1710-1736). The former became famous not only as an excellent composer but also as an outstanding teacher. Distinguished among his students was the castrato Farinelli, who was probably the first to perform the technically demanding cantata <em>Destatevi, a pastori<\/em>. The event will end with Pergolesi&#8217;s cantata <em>Chi non ode e chi non vede.<\/em> The prematurely deceased genius captured in this small musical form the theatrical expression of a love complaint and painted a blaze of timbres through the use of interesting harmonic and melodic solutions.<\/p>\n<h4 style=\"text-align: center;\"><strong>PROGRAM<\/strong><\/h4>\n<p style=\"text-align: center;\">Benedetto Marcello \u2013 <em>Arianna abbandonata<\/em><br \/>\n<span style=\"font-size: 10pt;\">Sinfonia<\/span><br \/>\n<span style=\"font-size: 10pt;\">Recitativo accompagnato: <em>Dove misera, dove<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">Aria: <em>Come mai pu\u00f2<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">Recitativo: <em>Se fia che pensi<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">Aria: <em>Che dolce foco in petto<\/em><\/span><\/p>\n<p style=\"text-align: center;\">Alessandro Scarlatti \u2013 <em>Ombre tacite e sole<\/em><br \/>\n<span style=\"font-size: 10pt;\">Recitativo accompagnato: <em>Ombre tacite e sole<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">Aria: <em>Con piede errante<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">Recitativo accompagnato: <em>Qui, tra tenebre oscure<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">Aria: <em>Allor d\u2019intorno a te<\/em><\/span><\/p>\n<p style=\"text-align: center;\">Arcangelo Corelli \u2013 Concerto grosso op. 6 nr 1<br \/>\n<span style=\"font-size: 10pt;\">Largo \u2013 Allegero \u2013 Largo \u2013 Allegro \u2013 Largo \u2013 Allegro \u2013 Allegro<\/span><\/p>\n<p style=\"text-align: center;\">Nicola Antonio Porpora \u2013 <em>Destatevi, o pastori<\/em><br \/>\n<span style=\"font-size: 10pt;\">Recitativo accompagnato: <em>Destatevi o pastori<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">Aria: <em>Nei campi e nelle selve<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">Recitativo accompagnato: <em>Torner\u00f2 fra le greggie<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">Aria: <em>Silvio amante disperato<\/em><\/span><\/p>\n<p style=\"text-align: center;\">Giovanni Battista Pergolesi \u2013 <em>Chi non ode e chi non vede<\/em><br \/>\n<span style=\"font-size: 10pt;\">Aria: <em>Chi non ode e chi non vede<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">Recitativo: <em>Di costei parlo<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">Aria: <em>Tu dovresti amor tiranno<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">Recitativo: <em>M\u00e0 dove io mi rivolgo<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">Aria: <em>Cadr\u00f2 contento dal duolo oppresso<\/em><\/span><\/p>\n<h4 style=\"text-align: center;\"><strong>PERFORMERS<\/strong><\/h4>\n<p style=\"text-align: center;\"><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/marta-boberska\/\"><strong>MARTA BOBERSKA<\/strong><\/a> SOPRANO<br \/>\n<a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/aneta-lukaszewicz\/\"><strong>ANETA \u0141UKASZEWICZ<\/strong> <\/a>MEZZOSOPRANO<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/operakrolewska.pl\/en\/the-period-instruments-ensemble-of-the-polish-royal-opera-capella-regia-polona\/\"><strong>THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/strong><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/krzysztof-garstka\/\"><strong>KRZYSZTOF GARSTKA<\/strong><\/a> HARPSICHORD, CONDUCTOR<\/p>\n<hr \/>\n<h5>Duration: approx. 1 h 20 min<\/h5>\n<h5>The seats in the auditorium are not numbered.<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>The fame of the Italian masters of the 17th and 18th centuries radiated throughout Europe, and their contributions to the development of musical means of expression inspired many artists. Naples, Venice and Rome became cultural centres where composers from various countries came to get musical experience. Among the multitude of genres, cantatas occupied an important [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":11656,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[],"cykle":[],"sezon":[62],"class_list":["post-23117","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","sezon-2021-2022-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>EARLY MUSIC AT THE ROYAL CASTLE \/ ITALIAN BAROQUE - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/early-music-at-the-royal-castle-italian-baroque\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"EARLY MUSIC AT THE ROYAL CASTLE \/ ITALIAN BAROQUE - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"The fame of the Italian masters of the 17th and 18th centuries radiated throughout Europe, and their contributions to the development of musical means of expression inspired many artists. 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