{"id":22727,"date":"2022-03-03T12:00:07","date_gmt":"2022-03-03T11:00:07","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=22727"},"modified":"2022-03-28T15:02:42","modified_gmt":"2022-03-28T13:02:42","slug":"messiah-haendel-excerpts-charity-concert-standwithukraine","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/messiah-haendel-excerpts-charity-concert-standwithukraine\/","title":{"rendered":"MESSIAH \/ HAENDEL (EXCERPTS)\u00a0\u2013 CHARITY CONCERT #STANDWITHUKRAINE"},"content":{"rendered":"<p><strong>All proceeds from the ticket sale will be used to help refugees from Ukraine.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">The Oratorio <em>Messiah<\/em> stands out among the many works of G. F. Haendel. Undoubtedly, it was its power of expression and the universal nature of its message that caused <em>Messiah<\/em> to be deemed a masterpiece already during the composer&#8217;s lifetime. Although composed in just 24 days, it still enjoys unwavering popularity today and receives an enthusiastic reception from the audience every time it is performed.<\/p>\n<p style=\"text-align: justify;\">The libretto prepared by Charles Jennens is a compilation of texts from the<em> King James Bible<\/em> and <em>The Universal Prayer<\/em>. In fact, each of the three parts of the work deals with a different topic. The first part tells the prophecy of the coming of the Savior, while the second movement, crowned with the famous chorus <em>Hallelujah<\/em>, tells the story of the life, death and resurrection of Christ. The final part, on the other hand, focuses on the announcement of the salvation of mankind.<\/p>\n<p style=\"text-align: justify;\">In terms of music, <em>Messiah<\/em> is characterized by an abundance of different means of musical expression while maintaining a small cast of performers. During the composer&#8217;s lifetime, the group of vocalists and instrumentalists did not exceed 60 people, and it is this original sound that the Artists of the Polish Royal Opera want to recreate. Hence, the excellent soloists and the vocal ensemble will be accompanied by an ensemble of period instruments &#8211; Capella Regia Polona. Krzysztof Garstka will sit at the harpsichord and conduct the performance.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 10pt;\">Fragments performed (numbered according to B\u00e4renreiter):<\/span><\/p>\n<p><span style=\"font-size: 10pt;\"><strong>Part I<\/strong><\/span><\/p>\n<p><span style=\"font-size: 10pt;\">1. Sinfonia<\/span><br \/>\n<span style=\"font-size: 10pt;\">2. Recitative (tenor): <em>Comfort ye my people<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">3. Aria (tenor): <em>Ev&#8217;ry valley shall be exalted<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">5. Recitative (bass): <em>Thus saith the Lord of Hosts<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">6. Aria (alto): <em>But who may abide the day of His coming<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">7. Chorus: <em>And He shall purify<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">9. Recitative (bass): <em>For behold, darkness shall cover the earth<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">10. Aria (bass): <em>The people that walked in darkness<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">12. Pifa<\/span><br \/>\n<span style=\"font-size: 10pt;\">15. Chorus: <em>Glory to God in the highest<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">17. Recitative (alto): <em>Then shall the eyes of the blind be open\u2019d<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">17a. Duet (alto and soprano): <em>He shall feed his flock like a shepherd<\/em><\/span><\/p>\n<p><span style=\"font-size: 10pt;\"><strong>Part II<\/strong><\/span><\/p>\n<p><span style=\"font-size: 10pt;\">19. Chorus: <em>Behold the Lamb of God<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">20. Aria (alto): <em>He was despised and rejected of men<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">21. Chorus: <em>Surely<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">22. Chorus: <em>And with His stripes<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">24. Recitative (tenor): <em>All they that see Him<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">25. Chorus: <em>He trusted in God<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">26. Recitative (tenor): <em>Thy rebuke hath broken His heart<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">27. Arioso (tenor): <em>Behold, and see if there be any sorrow<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">34a. Aria (soprano): <em>How beautiful are the feet of them<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">36. Aria (bass): <em>Why do the nations so furiously rage together<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">38. Recitative (tenor): <em>He that dwelleth in heaven<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">38a. Aria (tenor): <em>Thou shalt break them with a rod of iron<\/em><\/span><\/p>\n<p><span style=\"font-size: 10pt;\"><strong>Part III<\/strong><\/span><\/p>\n<p><span style=\"font-size: 10pt;\">40. Aria (soprano): <em>I know that my Redeemer liveth<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">41. Chorus: <em>Since by man came death<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">46. Aria (soprano): <em>If God be for us, who can be against us?<\/em><\/span><br \/>\n<span style=\"font-size: 10pt;\">47. Chorus: <em>Worthy is the Lamb that was slain<\/em><\/span><\/p>\n<h4 style=\"text-align: center;\"><\/h4>\n<h4 style=\"text-align: center;\">PERFORMERS<\/h4>\n<p style=\"text-align: center;\"><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/marta-boberska\/\"><b>MARTA BOBERSKA<\/b><\/a> SOPRANO<br \/>\n<a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/aneta-lukaszewicz\/\"><b>ANETA \u0141UKASZEWICZ<\/b><\/a> ALTO<br \/>\n<a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/sylwester-smulczynski\/\"><b>SYLWESTER SMULCZY\u0143SKI<\/b><\/a>\u00a0TENOR<br \/>\n<b>\u00a0PAWE\u0141 MICHALCZUK <\/b>BASS<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/operakrolewska.pl\/en\/the-chorus-of-the-polish-royal-opera\/\"><strong>THE CHORUS OF THE POLISH ROYAL OPERA<\/strong><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/operakrolewska.pl\/en\/the-period-instruments-ensemble-of-the-polish-royal-opera-capella-regia-polona\/\"><strong>THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/strong><\/a><\/p>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/jakub-szafranski\/\">JAKUB SZAFRA\u0143SKI<\/a> <\/strong>CHORUS MASTER<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/krzysztof-garstka\/\"><strong>KRZYSZTOF GARSTKA<\/strong><\/a> HARPSICHORD, CONDUCTOR<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h5><strong>Duration: approx. <\/strong>1 h 30 min<\/h5>\n<h5>The seats in the auditorium are not numbered.<\/h5>\n<h5><strong>PLEASE NOTE: the entrance to the Royal Theatre in \u0141azienki Park is located in Agrykola street.<\/strong><\/h5>\n<h5>One hour before the performance as well as for an hour after it is finished, the audience can use the electric cart running between the Royal Theater and the \u0141azienki Gate at the corner of My\u015bliwiecka \/ Agrykola streets.<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>All proceeds from the ticket sale will be used to help refugees from Ukraine. &nbsp; The Oratorio Messiah stands out among the many works of G. F. Haendel. Undoubtedly, it was its power of expression and the universal nature of its message that caused Messiah to be deemed a masterpiece already during the composer&#8217;s lifetime. [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":22770,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[],"cykle":[],"sezon":[62],"class_list":["post-22727","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","sezon-2021-2022-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>MESSIAH \/ HAENDEL (EXCERPTS)\u00a0\u2013 CHARITY CONCERT #STANDWITHUKRAINE - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/messiah-haendel-excerpts-charity-concert-standwithukraine\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MESSIAH \/ HAENDEL (EXCERPTS)\u00a0\u2013 CHARITY CONCERT #STANDWITHUKRAINE - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"All proceeds from the ticket sale will be used to help refugees from Ukraine. &nbsp; The Oratorio Messiah stands out among the many works of G. 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