{"id":21363,"date":"2021-11-25T13:30:21","date_gmt":"2021-11-25T12:30:21","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=21363"},"modified":"2022-01-28T14:53:12","modified_gmt":"2022-01-28T13:53:12","slug":"il-barbiere-di-siviglia-gioacchino-rossini-2","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/il-barbiere-di-siviglia-gioacchino-rossini-2\/","title":{"rendered":"IL BARBIERE DI SIVIGLIA \/ GIOACCHINO ROSSINI"},"content":{"rendered":"

Il barbiere di Siviglia\u00a0<\/i>(The Barber of Seville<\/i>) is one of the most famous works of Gioacchino Rossini. Although it was written in only three weeks, it became one of the greatest achievements of the opera buffa.<\/i> The opera is filled with unusual musical themes, masterful arias, and humorous dialogues. The wonderful music is enhanced by the great libretto by Cesare Sterbini, based on Pierre Beaumarchais\u2019s play.<\/p>\n

It\u2019s not widely remembered today, but the world premiere of Rossini\u2019s famous opera was staged under the title\u00a0Almaviva, ossia L\u2019inutile precauzione\u00a0<\/i>(Almaviva, or Unnecessary Caution<\/i>).<\/i> The original title was changed in order to win the favour of the Roman public. The creators feared that the use by young Rossini of a fragment on which the respected Giovanni Paisiello based his own opera might meet with negative reception. And that indeed happened. The explanations included in the programme and the consent of the said master brought no result. All attempts to calm down the situation proved in vain, and the premiere staged in Rome\u2019s Teatro Argentina on 20th February 1816 was a complete failure.<\/p>\n

However, the second show won the audience\u2019s approval. Soon, the opera became famous not only in Italy but also worldwide. It still entertains and marvels today, under Rossini\u2019s original literary title Il barbiere di Siviglia<\/i>.<\/p>\n

 <\/p>\n

MUSIC DIRECTION DAWID RUNTZ<\/strong><\/a><\/p>\n

DIRECTED BY J<\/strong>ITKA STOKALS<\/strong>KA
\n<\/strong>SET DESIGN MARLENA SKONECZKO<\/strong><\/a>
\nLIGHTING DESIGN KAROLINA G\u0118BSKA<\/strong>
\nSTAGE MOVEMENT ALISA MAKARENKO<\/strong>
\nASSISTANT DIRECTOR S\u0141AWOMIR JURCZAK<\/strong><\/a>
\nII ASSISTANT DIRECTOR AGNIESZKA KOZ\u0141OWSKA<\/strong><\/a>
\nII CONDUCTOR LILIANNA KRYCH<\/strong><\/a>
\nLIGHTING DESIGN ASSISTANT MAREK ZAMOJSKI<\/strong>
\nLIGHTING PIOTR RUDZKI
\n<\/strong>MAGIC CONSULTANT MACIEJ POL<\/strong>
\nSTAGE MANAGER AGNIESZKA ORLIKOWSKA<\/strong><\/p>\n

 <\/p>\n

CAST<\/h4>\n

COUNT ALMAVIVA LESZEK \u015aWIDZI\u0143SKI<\/a>
\n<\/strong>FIGARO DAVID ROY<\/strong>
\n<\/strong>ROSINA\u00a0 ANNA RADZIEJEWSKA<\/a>
\n<\/strong>DON BARTOLO\u00a0 ANDRZEJ KLIMCZAK<\/a>
\n<\/strong>DON BASILIO WOJTEK GIERLACH<\/a>
\n<\/strong>BERTA\u00a0\u00a0JUSTYNA ST\u0118PIE\u0143<\/a><\/strong>
\n<\/strong>FIORELLO \/ THE NOTARY ROBERT SZPR\u0118GIEL<\/a><\/strong>
\n<\/strong>AMBROGIO\u00a0\u00a0JAKUB A. GRABOWSKI<\/strong>
\n<\/strong>POLICE SERGEANT S\u0141AWOMIR JURCZAK<\/b><\/a><\/p>\n

ROSSINI\u00a0\u00a0WOJCIECH PA\u0141\u0118CKI<\/strong><\/p>\n

MAIDEN I\u00a0 MARTA SCHNURA
\n<\/strong>MAIDEN II \u00a0JULIA JARMOSZEWICZ<\/strong>
\nGUITAR PLAYER I MIROS\u0141AW ZALEWSKI
\n<\/strong>GUITAR PLAYER II FILIP ZIELI\u0143SKI<\/strong><\/p>\n

MIMES JERZY KLONOWSKI,\u00a0<\/strong>MACIEJ JAN KRA\u015aNIEWSKI, ALISA MAKARENKO<\/strong>\u00a0<\/strong><\/p>\n

PIANOFORTE MONIKA KOLASI\u0143SKA<\/strong><\/p>\n

THE CHORUS OF THE POLISH ROYAL OPERA<\/a><\/strong><\/p>\n

THE ORCHESTRA OF THE POLISH ROYAL OPERA<\/b><\/a><\/p>\n

CONDUCTOR LILIANNA KRYCH<\/strong><\/a><\/p>\n

 <\/p>\n

\n
Duration: 3 h <\/span><\/span>(with a <\/span><\/span>20-minute intermission<\/span><\/span>).<\/span><\/span>\u00a0<\/span><\/h5>\n
The seats in the auditorium are not numbered.<\/h5>\n
Performance in the original language version with Polish subtitles.<\/h5>\n
PLEASE NOTE: the entrance to the Royal Theatre in the \u0141azienki Park is located in Agrykola street.<\/strong><\/h5>\n
One hour before the performance as well as for an hour after it is finished, the audience can use the electric cart running between the Royal Theater and the \u0141azienki Gate at the corner of My\u015bliwiecka \/ Agrykola streets.<\/h5>\n
\n

We kindly encourage you to read the rules of participation in cultural events organized by the Polish Royal Opera:<\/p>\n