{"id":20949,"date":"2021-10-29T13:30:51","date_gmt":"2021-10-29T11:30:51","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=20949"},"modified":"2021-12-13T19:38:44","modified_gmt":"2021-12-13T18:38:44","slug":"die-zauberflote-wolfgang-amadeus-mozart-premiere","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/die-zauberflote-wolfgang-amadeus-mozart-premiere\/","title":{"rendered":"DIE ZAUBERFL\u00d6TE \/ WOLFGANG AMADEUS MOZART \u2013 PREMIERE"},"content":{"rendered":"

Die Zauberfl\u00f6te<\/em> (The Magic Flute<\/em>) by Wolfgang Amadeus Mozart is, on the one hand, a brilliant work in terms of music, drama and expression, and on the other – a mystery full of riddles and hidden meanings. The opera, which was completed and had its premiere at the end of September 1791, several dozen days before the composer’s death, continues to delight and inspire successive generations of artists and concert-goers.<\/p>\n

The libretto for the two-act singspiel was prepared by the actor and playwright Emanuel Schikaneder, who also played the role of Papageno during the Viennese premiere. The last one of Mozart’s operas immediately won the hearts of the audience and brought huge financial success. The use of Masonic symbolism and the imminent death of the composer meant the work was shrouded in an aura of mystery, and the interpreters of the Viennese master’s music competed in coming up with more or less probable theories. In reality, however, the Masonic interpretation is only one of many possible; it remains a story about a journey, the fight between good and evil, the path to adulthood, striving for social harmony… These are, after all, universal themes, which Mozart embellishes with music that is extremely colorful and sometimes surprising.<\/p>\n

 <\/p>\n

MUSIC DIRECTOR DAWID RUNTZ<\/strong><\/a>
\nDIRECTOR ANDRZEJ KLIMCZAK<\/strong><\/a>
\nSET DESIGN AND COSTUMES MARLENA SKONECZKO<\/strong><\/a>
\nLIGHTING DESIGN MACIEJ IGIELSKI<\/strong>
\nCHORUS MASTER LILIANNA KRYCH<\/strong><\/a>
\nCHOREOGRAPHY CONSULTANT JOANNA LICHOROWICZ-GRE\u015a<\/strong>
\nASSISTANT CONDUCTOR \/ II CONDUCTOR KAROL SZWECH<\/strong><\/a>
\nASSISTANT DIRECTOR S\u0141AWOMIR JURCZAK<\/strong><\/a>
\nII ASSISTANT DIRECTOR AGNIESZKA KOZ\u0141OWSKA<\/strong><\/a>
\nSTAGE MANAGER AGNIESZKA ORLIKOWSKA<\/strong><\/p>\n

 <\/p>\n

CAST<\/strong><\/h4>\n

SARASTRO WOJTEK GIERLACH<\/strong><\/a>
\nTAMINO SYLWESTER SMULCZY\u0143SKI<\/strong><\/a>
\n<\/strong>\u00a0NARRATOR ADAM KRUSZEWSKI<\/strong>
\nPRIEST I PIOTR K\u0118DZIORA<\/strong><\/a>
\nPRIEST II RAFA\u0141 \u017bUREK
\n<\/strong>PRIEST III ADAM KRUSZEWSKI<\/strong>
\nTHE QUEEN OF THE NIGHT ALEKSANDRA OLCZYK<\/strong>
\n<\/strong>PAMINA MARTA BOBERSKA<\/strong><\/a>
\nLADY I TATIANA HEMPEL-GIERLACH<\/strong><\/a>
\n<\/strong>LADY II MARTA WY\u0141OMA\u0143SKA<\/strong><\/a>
\nLADY III MONIKA LEDZION-PORCZY\u0143SKA<\/strong><\/a>
\nPAPAGENO PAWE\u0141 MICHALCZUK<\/strong><\/a>
\nPAPAGENA ALEKSANDRA KLIMCZAK<\/strong>
\nMONOSTATOS WOJCIECH PARCHEM<\/strong>
\nSPIRIT I JULITA MIROS\u0141AWSKA<\/strong><\/a>
\nSPIRIT II IWONA LUBOWICZ<\/strong><\/a>
\nSPIRIT III MARTA SCHNURA<\/strong>
\nARMED MAN I RAFA\u0141 \u017bUREK<\/strong>
\nARMED MAN II PIOTR K\u0118DZIORA<\/a><\/strong>
\n<\/strong>DANCERS PATRYK G\u0141ADY\u015a, JOANNA LICHOROWICZ-GRE\u015a, ALEKSANDRA PAWLUCZUK, MARTA \u017bABKA
\n<\/strong>MIME JERZY KLONOWSKI
\n<\/strong><\/p>\n

THE CHORUS OF THE POLISH ROYAL OPERA<\/strong><\/a><\/p>\n

THE ORCHESTRA OF THE POLISH ROYAL OPERA<\/b><\/a><\/p>\n

CONDUCTOR DAWID RUNTZ<\/strong><\/a><\/p>\n

 <\/p>\n

\n
The seats in the auditorium are not numbered.<\/h5>\n

Performance in the original language version.<\/strong><\/p>\n

PLEASE NOTE: the entrance to the Royal Theatre in \u0141azienki Park is located in Agrykola street.<\/strong><\/h5>\n
One hour before the performance as well as for an hour after it is finished, the audience can use the electric cart running between the Royal Theater and the \u0141azienki Gate at the corner of My\u015bliwiecka \/ Agrykola streets.<\/h5>\n
\n

We kindly encourage you to read the rules of participation in cultural events organized by the Polish Royal Opera:<\/p>\n