{"id":19564,"date":"2021-07-01T15:59:16","date_gmt":"2021-07-01T13:59:16","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=19564"},"modified":"2021-07-01T16:40:44","modified_gmt":"2021-07-01T14:40:44","slug":"festival-mozart-2021-don-giovanni-concert-version","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/festival-mozart-2021-don-giovanni-concert-version\/","title":{"rendered":"FESTIVAL MOZART 2021. DON GIOVANNI (CONCERT VERSION)"},"content":{"rendered":"

Online event on the YouTube channel of the Polish Royal Opera (the recording will be available until midnight on the 23rd<\/sup> of July 2021).<\/strong><\/a><\/p>\n

 <\/p>\n

Wolfgang Amadeus Mozart wrote\u00a0Don Giovanni<\/em> in 1787, commissioned by the Prague Italian opera at the National Theater, just a year after its audience enthusiastically welcomed\u00a0Le nozze di Figaro<\/em>. Faced with such success, then-22-year-old composer was soon asked to quickly create a new piece. Lorenzo da Ponte, the librettist with whom Mozart had cooperated many times before, suggested writing about the libertine Don Juan. And so, Da Ponte took Burlador de Sevilla (The Seducer of Sevilla),\u00a0<\/em>a drama by Tirso de Molina, as the basis for this excellent libretto, also drawing inspiration from Moli\u00e8re\u2019s famous play. The subject turned out to be incredibly inspiring for the young Mozart. Very shortly, he managed to create a piece that dazzled with its originality of musical arrangements, the perfection of form and maturity of sound.<\/p>\n

Although Mozart listed the piece as simply\u00a0opera buffa<\/em>\u00a0in his private catalogue, this work is often classified as a\u00a0narrower genre \u2013\u00a0dramma giocoso<\/em> (a jocular drama), since the Viennese genius crossed over the boundaries of established form and masterfully tailored the music to the dramatic events. By interweaving tragic and humorous elements, he was able to create a musical reality that perfectly rendered the complexity of the story and the psychological complexity of individual characters.<\/p>\n

Don Giovanni<\/em> holds an important position in the repertoire of the world\u2019s most renowned opera theatres. Ever since its premiere in Prague in 1787 up to the end of the 18th<\/sup>\u00a0century, as well as throughout the whole 19th<\/sup>\u00a0century, there was no single year in which\u00a0Don Giovanni<\/em>\u00a0wouldn\u2019t be staged. What is more, its unparalleled popularity hasn\u2019t faded away during the 20th<\/sup> and the 21st<\/sup> century. The archives of numerous productions over the centuries recall names of the most famous conductors and singers, including Ezio Pinza, Thomas Allen, Fiorenza Cossotto, Kiri Te Kanawa, Claudio Desderi, Ferruccio Furlanetto, Herbert von Karajan, Karl B\u00f6hm and many others.<\/p>\n

The concert version of the work, according to Andrzej Klimczak’s production concept, will be performed by the Soloists, the Chorus and the Opera of the Polish Royal Opera conducted by Maestro Grzegorz Nowak.<\/p>\n

 <\/p>\n

FRAGMENTS PERFORMED:<\/h4>\n

Act I<\/strong><\/p>\n

Ouverture<\/p>\n

    \n
  1. Introduzione<\/li>\n
  2. Aria\u00a0Ah, chi mi dice mai\u00a0<\/em>(Donna Elvira)<\/li>\n
  3. Recitativo Ah voi\u2026 stelle!<\/em>\u00a0(Donna Elvira, Leporello)<\/li>\n
  4. Aria\u00a0Madamina\u2026<\/em>\u00a0(Leporello)<\/li>\n
  5. Coro\u00a0Giovinette, che fate all\u2019amore<\/em>\u00a0(Zerlina, Masetto)<\/li>\n
  6. Recitativo Orsu, non perdiam tempo<\/em>\u00a0(Don Giovanni, Zerlina)<\/li>\n
  7. Duettino\u00a0La ci darem la mano<\/em>\u00a0(Don Giovanni, Zerlina)<\/li>\n
  8. Recitativo accompagnato i aria\u00a0Don Ottavio, son morta!\u2026 Or sai chi l\u2019onore<\/em>\u00a0(Donna Anna, Don Ottavio)<\/li>\n
  9. Recitativo Bravo, bravo, arcibravo!<\/em>\u00a0(Don Giovanni, Leporello)<\/li>\n
  10. Aria\u00a0Fin ch\u2019han dal vino<\/em>\u00a0(Don Giovanni)<\/li>\n
  11. Recitativo Non me lo credi? Ingrato!<\/em>\u00a0(Zerlina, Masetto)<\/li>\n
  12. Aria\u00a0Batti, batti\u2026<\/em>\u00a0(Zerlina)<\/li>\n<\/ol>\n

    Act II<\/strong><\/p>\n

      \n
    1. Duetto\u00a0Eh! via buffone\u00a0<\/em>(Don Giovanni, Leporello)<\/li>\n
    2. Tercetto\u00a0Ah! taci ingiusto core<\/em>\u00a0(Donna Elvira, Don Giovanni, Leporello)<\/li>\n
    3. Recitativo Purch\u00e8 la sorte mi secondi <\/em>(Don Giovanni)<\/li>\n
    4. Canzonetta\u00a0Deh, vieni alla finestra\u00a0<\/em>(Don Giovanni)<\/li>\n
    5. Aria\u00a0Vedrai, carino<\/em>\u00a0(Zerlina)<\/li>\n
    6. Aria\u00a0Il mio tesoro\u00a0<\/em>(Don Ottavio)<\/li>\n
    7. Duetto\u00a0O\u00a0statua gentilissima\u00a0<\/em>(Leporello, Don Giovanni, Il Commendatore)<\/li>\n
    8. Recitativo accompagnato e Rondo Crudele!<\/em>\u00a0(Donna Anna)<\/li>\n
    9. Finale (Don Giovanni, Leporello, Donna Elvira, Il Commendatore, Chorus)<\/li>\n<\/ol>\n

       <\/p>\n

      PRODUCTION CONCEPT ANDRZEJ KLIMCZAK<\/a><\/strong>
      \nCOSTUMES AND PROPS       MARLENA SKONECZKO<\/strong><\/a>
      \nVIDEO PROJECTIONS MAREK ZAMOJSKI
      \n<\/strong>LIGHTING PIOTR RUDZKI<\/strong><\/p>\n

      STAGE MANAGER DOROTA LACHOWICZ<\/strong><\/a><\/p>\n

       <\/p>\n

      CAST<\/h4>\n

      IL COMMENDATORE\u00a0 WOJCIECH GIERLACH<\/b><\/a>
      \nDON GIOVANNI\u00a0       ROBERT GIERLACH<\/strong><\/a>
      \nLEPORELLO       PAWE\u0141 MICHALCZUK<\/strong><\/a>
      \nDONNA ANNA       GABRIELA KAMI\u0143SKA<\/b><\/a>
      \nDONNA ELVIRA       ANNA WIERZBICKA<\/a><\/strong><\/a>
      \nDON OTTAVIO       LESZEK \u015aWIDZI\u0143SKI<\/strong><\/a>
      \nZERLINA       MARTA BOBERSKA<\/strong><\/a>
      \nMASETTO\u00a0KRZYSZTOF \u0141AZICKI<\/strong><\/p>\n

      HARPSICHORD <\/b>DAGMARA DUDZI\u0143SKA<\/a><\/b><\/strong><\/p>\n

      THE CHORUS OF THE POLISH ROYAL OPERA<\/strong><\/a><\/p>\n

      THE ORCHESTRA OF THE POLISH ROYAL OPERA<\/a><\/strong><\/p>\n

      CONDUCTOR GRZEGORZ NOWAK<\/strong><\/p>\n

       <\/p>\n

       <\/p>\n","protected":false},"excerpt":{"rendered":"

      Online event on the YouTube channel of the Polish Royal Opera (the recording will be available until midnight on the 23rd of July 2021).   Wolfgang Amadeus Mozart wrote\u00a0Don Giovanni in 1787, commissioned by the Prague Italian opera at the National Theater, just a year after its audience enthusiastically welcomed\u00a0Le nozze di Figaro. Faced with […]<\/p>\n","protected":false},"author":15,"featured_media":5260,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[],"cykle":[],"sezon":[61],"class_list":["post-19564","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","sezon-2020-2021-en"],"acf":[],"yoast_head":"\nFESTIVAL MOZART 2021. 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