{"id":19219,"date":"2021-06-02T12:00:32","date_gmt":"2021-06-02T10:00:32","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=19219"},"modified":"2021-06-25T13:15:59","modified_gmt":"2021-06-25T11:15:59","slug":"festival-mozart-2021-violin-sonatas","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/festival-mozart-2021-violin-sonatas\/","title":{"rendered":"FESTIVAL MOZART 2021. VIOLIN SONATAS"},"content":{"rendered":"<p style=\"text-align: justify;\">Wolfgang Amadeus Mozart wrote violin sonatas all his life, with the first pieces of this genre dating back to 1762. In his early compositions, the piano plays the leading role, while the violin adds a pleasant to the ear yet not essential colour to the piece. The rich possibilities offered by the dialogue between two instruments seemed to have been noticed by Mozart only in the so-called <em>Mannheim sonatas<\/em>, named after the place where they were composed. Among the works published in 1781 as Opus 1, we find the cheerful <em>Sonata in B flat major<\/em>, KV 378. In a review by J.B. Cramer, included in the March 1783 edition of <em>Magazin der Musik<\/em>, the piece was described as one of those sonatas where &#8220;the accompaniment of the violin is artfully combined [&#8230;] with the piano part so that both instruments are kept in constant tension [&#8230;]&#8221;.<\/p>\n<p style=\"text-align: justify;\">On the other hand, the <em>Sonata in A major<\/em>, KV 526 from 1787 is undoubtedly one of the most mature works of this genre composed by Mozart. The composer strikes a delightful balance between the formal and expressive elements. Written in the <em>galant<\/em> style, the piece is also an example of excellent counterpoint. It is worth paying attention to the finale, which, through a creative paraphrase of the last movement of the <em>Violin Sonata in A major<\/em>, Op. 5 No. 5 by Friedrich Abel, pays tribute to the artist who had died just a few weeks before the completion of this outstanding composition.<\/p>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\"><strong>PROGRAM<\/strong><\/h4>\n<p style=\"text-align: center;\"><strong>Wolfgang Amadeus Mozart <\/strong><\/p>\n<p style=\"text-align: center;\"><em>Sonata for violin and piano in B flat major<\/em> No. 26 KV 378<br \/>\n<span style=\"font-size: 10pt;\">Allegro moderato \u2013 Andantino sostenuto e cantabile \u2013 Rondo. Allegro<\/span><\/p>\n<p style=\"text-align: center;\"><em>Sonata for violin and piano in A major<\/em> No. 35 KV 526<br \/>\n<span style=\"font-size: 10pt;\">Allegro molto \u2013 Andante \u2013 Presto<\/span><\/p>\n<h4 style=\"text-align: center;\"><\/h4>\n<p style=\"text-align: center;\"><strong>PERFORMERS<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/tomasz-kulisiewicz\/\"><strong>TOMASZ KULISIEWICZ<\/strong> <\/a>VIOLIN<\/p>\n<p style=\"text-align: center;\"><strong>ALEKSANDRA BOBROWSKA<\/strong> GRAND PIANO<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h5>Duration: approx. 45 mins.<\/h5>\n<h5>The seats in the auditorium are not numbered.<\/h5>\n<hr \/>\n<p>We kindly encourage you to read the rules of participation in cultural events organized by the Polish Royal Opera:<\/p>\n<ul>\n<li>If you are not feeling well, are ill, or had contact with an infected person \u2013 stay at home.<\/li>\n<li><b>Please, take a\u00a0face mask with you.<\/b>\u00a0On entering the Theatre building, you are obliged to wear a\u00a0mask covering your mouth and nose.<\/li>\n<li>At the entrance to the building, please have your temperature taken.<\/li>\n<li>Disinfect your hands after entering the Theatre building.<\/li>\n<li>Please remember to sign the\u00a0<a href=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2020\/06\/regulations.pdf\"><b>Participant Declaration<\/b><\/a>. If possible, please bring the printed and signed declaration with you, if not \u2013 fill it in in the Theatre, in the area shown by the staff.<\/li>\n<li>Take the seat assigned to you by the staff.<\/li>\n<li>Please come earlier \u2013 latecomers will not be allowed into the auditorium.<\/li>\n<\/ul>\n<p>We care about the safety of our Guests!<\/p>\n<ul>\n<li>Disinfectants are available at the entrance to the building.<\/li>\n<li>At the entrance to the building, staff may take your temperature.<\/li>\n<li>The common spaces and sanitary rooms are disinfected regularly.<\/li>\n<li>Only 75% of the seats in the auditorium will be available.<\/li>\n<li>We keep a\u00a0safe distance.<\/li>\n<\/ul>\n<p>Should you have any questions, we are at your disposal on site of the event or at the phone number +48 500 309 424.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2021\/06\/regulations-06-2021.pdf\"><b>The Regulations of Ticket Sale and Participation in Artistic Events Organized by the Polish Royal Opera<\/b><\/a>.<\/p>\n<p><a href=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2021\/02\/regulamin-eng-nowy-02-2021.pdf\"><b>The Declaration of the Participant of an Artistic Event Organized by the Polish Royal Opera in Warsaw<\/b><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wolfgang Amadeus Mozart wrote violin sonatas all his life, with the first pieces of this genre dating back to 1762. In his early compositions, the piano plays the leading role, while the violin adds a pleasant to the ear yet not essential colour to the piece. The rich possibilities offered by the dialogue between two [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":19176,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[],"cykle":[],"sezon":[61],"class_list":["post-19219","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","sezon-2020-2021-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>FESTIVAL MOZART 2021. 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The rich possibilities offered by the dialogue between two [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/operakrolewska.pl\/en\/repetoire\/festival-mozart-2021-violin-sonatas\/\" \/>\n<meta property=\"og:site_name\" content=\"Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/web.facebook.com\/PolskaOperaKrolewska\/\" \/>\n<meta property=\"article:modified_time\" content=\"2021-06-25T11:15:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2021\/06\/mozart-da-camera-symulacja2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"864\" \/>\n\t<meta property=\"og:image:height\" content=\"490\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/operakrolewska.pl\/en\/repetoire\/festival-mozart-2021-violin-sonatas\/\",\"url\":\"https:\/\/operakrolewska.pl\/en\/repetoire\/festival-mozart-2021-violin-sonatas\/\",\"name\":\"FESTIVAL MOZART 2021. 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