{"id":19201,"date":"2021-06-01T11:30:38","date_gmt":"2021-06-01T09:30:38","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=19201"},"modified":"2021-07-05T16:19:11","modified_gmt":"2021-07-05T14:19:11","slug":"festival-mozart-2021-cosi-fan-tutte","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/festival-mozart-2021-cosi-fan-tutte\/","title":{"rendered":"FESTIVAL MOZART 2021. COS\u00cc FAN TUTTE"},"content":{"rendered":"

Cos\u00ec fan tutte ossia La scuola degli amanti<\/em> (Thus do they all, or The school for lovers<\/em>) – this is the full title of one of Wolfgang Amadeus Mozart’s last operas. It is not without reason that Alfred Einstein, a biographer of the genius Viennese, described it as follows:<\/p>\n

\u201cThis opera is like a wonderful bubble, shimmering with the colours of buffoonery, parody, feeling both authentic and pretended. But added to it, is the colour of pure beauty \u201d.<\/p>\n

The opera was commissioned by Emperor Joseph II, and its world premiere took place in Vienna in January 1790. Boiling with emotion, the frivolous play quickly gained the recognition of the thrill-seeking audience. The sheer perfection of the world-famous opera buffa is revealed both in the wonderfully constructed original libretto by Lorenzo da Ponte and in Mozart’s sensational musical score. The accurately portrayed characters, witty dialogues and superbly composed group scenes make Cos\u00ec fan tutte<\/em> timelessly entertaining for viewers. However, the opera also leaves room for reflection on the nature of human feelings.<\/p>\n

Marta Dziewanowska-Pachowska<\/span><\/p>\n

 <\/p>\n

MUSIC DIRECTOR DAWID RUNTZ<\/strong><\/a><\/p>\n

DIRECTED BY\u00a0JITKA STOKALSKA<\/strong>
\nSET DESIGN MARLENA SKONECZKO<\/strong><\/a>
\nLIGHTING DESIGN DANIEL SANJUAN-CIEPIELEWSKI
\n<\/b>CHOREOGRAPHY ZBIGNIEW CZAPSKI
\n<\/b>CHORUS MASTER LILIANNA KRYCH<\/strong><\/a>
\n<\/b>ASSISTANT CONDUCTOR JAKUB ZWIERZ
\n<\/strong><\/b>ASSISTANT DIRECTOR S\u0141AWOMIR JURCZAK<\/a>
\n<\/strong><\/b>II ASSISTANT DIRECTOR AGNIESZKA KOZ\u0141OWSKA<\/a>
\n<\/strong><\/b>SET CONSTRUCTION RYSZARD K\u0141OSEK
\n<\/strong><\/b>STAGE MANAGER TATIANA<\/strong> HEMPEL<\/strong>
\n<\/b><\/p>\n

 <\/p>\n

CAST<\/h4>\n

FIORDILIGI ALEKSANDRA OR\u0141OWSKA<\/strong>
\nDORABELLA\u00a0MONIKA LEDZION-PORCZY\u0143SKA<\/b><\/a>
\n<\/strong>DESPINA\u00a0 IWONA HANDZLIK<\/a>
\n<\/strong>FERRANDO\u00a0SYLWESTER SMULCZY\u0143SKI<\/b><\/a>
\n<\/strong>GUGLIELMO\u00a0 ROBERT SZPR\u0118GIEL<\/a>
\n<\/strong>DON ALFONSO ROBERT GIERLACH<\/strong><\/a><\/p>\n

HARPSICHORD DAGMARA DUDZI\u0143SKA<\/strong><\/a><\/p>\n

THE CHORUS OF THE POLISH ROYAL OPERA<\/strong><\/a><\/p>\n

THE ORCHESTRA OF THE POLISH ROYAL OPERA<\/strong><\/a><\/p>\n

CONDUCTOR DAWID RUNTZ<\/strong><\/a><\/p>\n

 <\/p>\n

\n
Duration: 3 h 10 mins (with a 20-minute intermission).<\/h5>\n
Performance in the original language version with Polish subtitles.<\/h5>\n
The seats in the auditorium are not numbered.<\/h5>\n
Performance in the original language version with Polish subtitles.<\/h5>\n
PLEASE NOTE: the entrance to the Royal Theatre in \u0141azienki Park is located in Agrykola street.<\/strong><\/h5>\n
One hour before the performance as well as for an hour after it is finished, the audience can use the electric cart running between the Royal Theater and the \u0141azienki Gate at the corner of My\u015bliwiecka \/ Agrykola streets.<\/h5>\n
\n

We kindly encourage you to read the rules of participation in cultural events organized by the Polish Royal Opera:<\/p>\n