{"id":18372,"date":"2021-02-23T12:46:51","date_gmt":"2021-02-23T11:46:51","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=18372"},"modified":"2021-03-10T21:59:36","modified_gmt":"2021-03-10T20:59:36","slug":"per-archi-mendelssohn-haydn-bacewicz","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/per-archi-mendelssohn-haydn-bacewicz\/","title":{"rendered":"PER ARCHI \/ MENDELSSOHN \u2013 HAYDN \u2013 BACEWICZ"},"content":{"rendered":"<p style=\"text-align: justify;\">Felix Mendelssohn-Bartholdy (1809-1847) &#8211; &#8220;the prodigy of the Romantic era&#8221; &#8211; showed remarkable musical talent from an early age. From the <em>Symphony in B minor<\/em> No. 10, composed in 1823, only one movement has survived to this day and, judging by the architecture of the other symphonies from that period, was originally supplemented with additional passages. Its compact structure and formal perfection allow it to successfully function as an autonomous piece. It was clearly inspired by the works of the masters of the Classicism era, but we can also already hear the lyricism and dramaturgy of the development of form characteristic of Mendelssohn&#8217;s style.<\/p>\n<p style=\"text-align: justify;\">The piece will be followed by Joseph Haydn&#8217;s (1732-1809) <em>Violin Concerto in C major<\/em>, which also carries reminiscences of a bygone era, such as melodic figuration and other techniques characteristic of the Italian style prevalent in Europe at that time, the sources of which lie in the Baroque era. On the other hand, the three-part form of the composition beginning with the sonata-allegro is typical for classicism.<\/p>\n<p style=\"text-align: justify;\">The program ends with the thrilling <em>Concerto for string orchestra<\/em> from 1948 by the outstanding Polish composer and violinist &#8211; Gra\u017cyna Bacewicz (1909-1969). The piece premiered at the convention of the Polish Composers&#8217; Union in 1950 and was highly recognised by the public, as evidenced by the enthusiastic statement of Stefan Kisielewski:<\/p>\n<p style=\"padding-left: 40px; text-align: justify;\">\u201cIt can be said with a clear conscience that the honour of Polish composers was this time saved by a &#8220;broad&#8221;- Gra\u017cyna Bacewicz. Her <em>Concerto for String Orchestra<\/em>, written with impetus and energy, full of fluid invention and great instrumentation ideas, finally awakened us from lethargy [&#8230;] \u201d.<\/p>\n<h4 style=\"text-align: center;\"><strong>PROGRAM<\/strong><\/h4>\n<p style=\"text-align: center;\">Felix Mendelssohn-Bartholdy \u2013 String Symphony No. 10 in B minor<\/p>\n<p style=\"text-align: center;\">Joseph Haydn \u2013 Violin Concerto in C major Hob. VIIa:1<\/p>\n<p style=\"text-align: center;\">Gra\u017cyna Bacewicz \u2013 Concerto for String Orchestra<\/p>\n<h4 style=\"text-align: center;\"><\/h4>\n<h4 style=\"text-align: center;\"><strong>PERFORMERS<\/strong><\/h4>\n<p style=\"text-align: center;\"><a href=\"https:\/\/operakrolewska.pl\/en\/the-orchestra-of-the-polish-royal-opera\/\"><strong>THE ORCHESTRA OF THE POLISH ROYAL OPERA<\/strong><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/tomasz-kulisiewicz\/\"><strong>TOMASZ KULISIEWICZ<\/strong> <\/a>VIOLIN, CONCERTMASTER<\/p>\n<hr \/>\n<p>We kindly encourage you to read the rules of participation in cultural events organized by the Polish Royal Opera:<\/p>\n<ul>\n<li>If you are not feeling well, are ill, or had contact with an infected person \u2013 stay at home.<\/li>\n<li><b>Please, take a\u00a0face mask with you.<\/b>\u00a0On entering the Theatre building, you are obliged to wear a\u00a0mask covering your mouth and nose.<\/li>\n<li>At the entrance to the building, please have your temperature taken.<\/li>\n<li>Disinfect your hands after entering the Theatre building.<\/li>\n<li>Please remember to sign the\u00a0<a href=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2020\/06\/regulations.pdf\"><b>Participant Declaration<\/b><\/a>. If possible, please bring the printed and signed declaration with you, if not \u2013 fill it in in the Theatre, in the area shown by the staff.<\/li>\n<li>Take the seat assigned to you by the staff.<\/li>\n<li>Please come earlier \u2013 latecomers will not be allowed into the auditorium.<\/li>\n<\/ul>\n<p>We care about the safety of our Guests!<\/p>\n<ul>\n<li>Disinfectants are available at the entrance to the building.<\/li>\n<li>At the entrance to the building, staff may take your temperature.<\/li>\n<li>The common spaces and sanitary rooms are disinfected regularly.<\/li>\n<li>Only 50% of the seats in the auditorium will be available.<\/li>\n<li>We keep a\u00a0safe distance.<\/li>\n<\/ul>\n<p>Should you have any questions, we are at your disposal on site of the event or at the phone number +48 500 309 424.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2020\/06\/regulations.pdf\"><b>The Regulations of Ticket Sale and Participation in Artistic Events Organized by the Polish Royal Opera<\/b><\/a>.<\/p>\n<p><a href=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2021\/02\/regulamin-eng-nowy-02-2021.pdf\"><b>The Declaration of the Participant of an Artistic Event Organized by the Polish Royal Opera in Warsaw<\/b><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Felix Mendelssohn-Bartholdy (1809-1847) &#8211; &#8220;the prodigy of the Romantic era&#8221; &#8211; showed remarkable musical talent from an early age. From the Symphony in B minor No. 10, composed in 1823, only one movement has survived to this day and, judging by the architecture of the other symphonies from that period, was originally supplemented with additional [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":12157,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[],"cykle":[],"sezon":[61],"class_list":["post-18372","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","sezon-2020-2021-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>PER ARCHI \/ MENDELSSOHN \u2013 HAYDN \u2013 BACEWICZ - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/per-archi-mendelssohn-haydn-bacewicz\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PER ARCHI \/ MENDELSSOHN \u2013 HAYDN \u2013 BACEWICZ - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"Felix Mendelssohn-Bartholdy (1809-1847) &#8211; &#8220;the prodigy of the Romantic era&#8221; &#8211; showed remarkable musical talent from an early age. 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