{"id":16991,"date":"2020-10-09T14:26:40","date_gmt":"2020-10-09T12:26:40","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=16991"},"modified":"2020-11-04T20:06:37","modified_gmt":"2020-11-04T19:06:37","slug":"a-tribute-to-hetman-zamoyski","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/a-tribute-to-hetman-zamoyski\/","title":{"rendered":"A tribute to Hetman Zamoyski \/ Concert on the National Independence Day"},"content":{"rendered":"

Ledwo\u015b ruszy\u0142 wojsko swoje,<\/em><\/p>\n

Tryumf przyszed\u0142 w r\u0119ce twoje,<\/em><\/p>\n

Tryumf fortunny a s\u0142awny,<\/em><\/p>\n

Jakiego nie mia\u0142 wiek dawny.<\/em><\/p>\n

\u00a0<\/em><\/p>\n

This stanza finishing the Pie\u015bni Kalliopy S\u0142owe\u0144skiej na tera\u017aniejsze pod Byczyn\u0105 zwyci\u0119stwo<\/em> by Krzysztof Klabon to the lyrics by Stanis\u0142aw Grochowski excellently depicts the feat performed by the Polish army led by hetman Jan Zamoyski in 1588. The National Independence Day brings the perfect opportunity to commemorate the greatest events in the history of the Republic of Poland, especially those which were also made famous in songs.<\/p>\n

The concert will also feature the oldest of the Polish anthems \u2013 Bogurodzica<\/em> and Gaude<\/em> Mater Polonia<\/em> \u2013 hymns sung by the Polish knighthood when they were squaring up with enemy. Those melodies could have also accompanied Polish forces preparing for the battle of Byczyna, in which they achieved great victory over archduke Maximillian Habsburg\u2019s forces. The victory was recorded and made famous by Krzysztof Klabon, one of the most distinguished musicians at the royal court, in the series of six compositions. The programme will also feature charming dances from Jan of Lublin\u2019s Tablatures, which, similarly to other songs taking up subjects of political events \u2013 resounded during official court ceremonies. Compositions will be performed and interpreted by outstanding artists specializing in early music and will be played on period instruments replicas, which will surely bring about the atmosphere of those past times.<\/p>\n

16th century was also the heyday of religious songs. Among many of them, this genre produced beautiful psalms by Miko\u0142aj Gom\u00f3\u0142ka to the lyrics of Jan Kochanowski. And a prayer character of Sebastian Klonowic\u2019s Piosnka uczyniona czasu powietrza, kiedy by\u0142o interregnum w roku pa\u0144skim 1572<\/em>, in which one begs for an end to pandemic, seems particularly relevant today.<\/p>\n

Marta Dziewanowska-Pachowska<\/p>\n

 <\/p>\n

<\/h4>\n

PROGRAM<\/strong><\/h4>\n

MUSICAL ARRANGEMENT <\/span>JACEK URBANIAK<\/b><\/p>\n

    \n
  1. \n
      \n
    1. Anonim, XIV w. \u2013 <\/span>Bogurodzica<\/span><\/i><\/li>\n
    2. Krzysztof Klabon, s\u0142. Stanis\u0142aw Grochowski, XVI w. \u2013 <\/span>Pie\u015bni Kaliope S\u0142owia\u0144skiej na tera\u017aniejsze pod Byczyn\u0105 zwyci\u0119stwo<\/span><\/i>, nr 1: <\/span>S\u0142uchajcie mi\u0119 wszystkie kraje<\/span><\/i><\/li>\n
    3. Krzysztof Klabon, s\u0142. Stanis\u0142aw Grochowski \u2013 <\/span>Pie\u015bni Kaliope S\u0142owia\u0144skiej\u2026<\/span><\/i>, nr 2:<\/span> Szerokie sarmackie w\u0142o\u015bci<\/span><\/i><\/li>\n
    4. Anonim z Tabulatury Jana z Lublina, XVI w. \u2013 <\/span>Rex<\/span><\/i><\/li>\n
    5. Krzysztof Klabon, s\u0142. Stanis\u0142aw Grochowski \u2013 <\/span>Pie\u015bni Kaliope S\u0142owia\u0144skiej\u2026<\/span><\/i>, nr 3: <\/span>S\u0142awne potomstwo Lechowe<\/span><\/i><\/li>\n
    6. Krzysztof Klabon, s\u0142. Stanis\u0142aw Grochowski \u2013 <\/span>Pie\u015bni Kaliope S\u0142owia\u0144skiej\u2026<\/span><\/i>, nr 4: <\/span>Tryumfuj, wierny poddany<\/span><\/i><\/li>\n
    7. Anonim z Tabulatury Jana z Lublina \u2013 <\/span>Hajducki<\/span><\/i><\/li>\n
    8. Krzysztof Klabon, s\u0142. Stanis\u0142aw Grochowski \u2013 <\/span>Pie\u015bni Kaliope S\u0142owia\u0144skiej\u2026<\/span><\/i>, nr 5: <\/span>G\u0142o\u015bnym zwyci\u0119stwem g\u0142o\u015bna<\/span><\/i><\/li>\n
    9. Krzysztof Klabon, s\u0142. Stanis\u0142aw Grochowski \u2013 <\/span>Pie\u015bni Kaliope S\u0142owia\u0144skiej\u2026<\/span><\/i>, nr 6: <\/span>Je\u015bli greccy Hektorowie<\/span><\/i><\/li>\n
    10. Miko\u0142aj Gom\u00f3\u0142ka, XVI w. \u2013 <\/span>Nie\u015bcie chwa\u0142\u0119 mocarze<\/span><\/i> (wersja instrumentalna)<\/span><\/li>\n
    11. Miko\u0142aj Gom\u00f3\u0142ka, s\u0142. Jan Kochanowski \u2013 Psalm 47: <\/span>Kleszczmy r\u0119koma, wszyscy zgodliwie<\/span><\/i><\/li>\n
    12. Sebastian Klonowic, XVI w. \u2013 Pie\u015b\u0144 o zarazie: <\/span>Mocny zem\u015bcicielu<\/span><\/i><\/li>\n
    13. Wincenty z Kielczy, XIII w. \u2013 <\/span>Gaude Mater Polonia<\/span><\/i> (oprac. Teofil Klonowski, XIX w.)<\/span><\/li>\n<\/ol>\n<\/li>\n<\/ol>\n

       <\/p>\n

      PERFORMERS<\/strong><\/h4>\n

      THE CHORUS OF THE POLISH ROYAL OPERA<\/a><\/p>\n

      THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/a><\/p>\n

      S\u0141AWOMIR JURCZAK<\/b><\/a> INTRODUCTION<\/span><\/p>\n

      LILIANNA KRYCH<\/b><\/a> CONDUCTOR, CHORUS MASTER <\/span><\/p>\n

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      Seats are not numbered.<\/p>\n

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      We kindly encourage you to read the rules of participation in cultural events organized by the Polish Royal Opera:<\/p>\n