{"id":16719,"date":"2020-09-22T20:44:55","date_gmt":"2020-09-22T18:44:55","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=16719"},"modified":"2020-10-02T01:13:35","modified_gmt":"2020-10-01T23:13:35","slug":"polish-songs-niewiadomski-gall-moniuszko","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/polish-songs-niewiadomski-gall-moniuszko\/","title":{"rendered":"POLISH SONGS \/ NIEWIADOMSKI – GALL – MONIUSZKO"},"content":{"rendered":"

Polish music of the Romantic era abounds with charming songs. Their development is greatly acknowledged to Stanis\u0142aw Moniuszko (1819-1872), whose songs will crown this concert\u2019s programme. By publishing his Pierwszy \u015bpiewnik domowy <\/em>(Songbook for Home Use, No. 1), Moniuszko took up the challenge of creating a songbook repertoire for the Polish nation, and he admirably succeeded. For not only did he create the extensive catalogue of vocal music of various song types, but he also became an inspiration to further generations of artists. His followers, Stanis\u0142aw Niewiadomski and Jan Gall, became continuators of the idea to broaden the Polish lyrical repertoire and make the whole nation sing. They would successfully make music to the lines of Polish poetry and take advantage of the rich heritage of Polish folklore.<\/p>\n

The concert will also feature selected songs by Jan Gall (1856-1912) \u2013 very popular in the 19th<\/sup> century, now somewhat forgotten. It is a pity though, as this composer\u2019s pieces, full of modest charm, hid real pearls. His exceptional lyrical talent is mostly reflected in the richness of melody and, as Zdzis\u0142aw Jachimecki observed, its \u201cutterly Italian sweetness\u201d. Both Gall and Stanis\u0142aw Niewiadomski (1859-1936) cared about maintaining correct prosody, but the latter paid much more attention to highlighting the text\u2019s drama. After all, Niewiadomski was also famous for his meticulous care in selecting poetry based on its literary value. Quoting Irena Poniatowska, \u201elinking the spirit of Polish poetry with a vocally beautiful composition, with features of accessibility and folklore and, at the same time, with a note of courteous sentimentalism [\u2026] is exactly what won Niewiadomski\u2019s songs [\u2026] great popularity, publicity and remembrance\u2019.<\/p>\n

 <\/p>\n

THE PROGRAMME<\/strong><\/h4>\n

Stanis\u0142aw Niewiadomski<\/strong><\/p>\n

Latawica<\/em>, lyrics M. Konopnicka
\nOstatnia r\u00f3\u017ca<\/em>, lyrics A. Asnyk
\nDzwony<\/em>, lyrics M. Konopnicka
\nStoi jawor zielony<\/em>, folk song lyrics
\nZaczarowana kr\u00f3lewna<\/em>, lyrics A. Asnyk
\nMi\u0119dzy nami nic nie by\u0142o<\/em>, lyrics A. Asnyk
\nZosia<\/em>, lyrics A. Mickiewicz
\nJab\u0142onecka<\/em>, folk song lyrics
\nKoraliki<\/em>, folk song lyrics
\nDeszczyk rosi<\/em>, folk song lyrics<\/p>\n

Jan Gall<\/strong><\/p>\n

Zaczarowana kr\u00f3lewna<\/em>, lyrics A. Asnyk
\nGdy twa posta\u0107 przemknie z bliska<\/em>, lyrics H. Heine, translated by J. Gall
\nJa chcia\u0142bym m\u0105 dusz\u0105 ton\u0105\u0107 lyrics H. Heine, translated by S. Lachowicz
\nGdybym by\u0142 m\u0142odszy dziewczyno<\/em>, lyrics A. Asnyk
\nSerenada sycylijska<\/em>, lyrics based on a traditional Italian song
\nDziewcz\u0119 z Sorentu<\/em>, lyrics based on a traditional Italian song
\nTwe ciche, du\u017ce jasne oczy<\/em>, lyrics L. Rydel
\nDziewcz\u0119 z buzi\u0105 jak malina<\/em>, lyrics H. Heine, translated by M. Gawalewicz<\/p>\n

Stanis\u0142aw Moniuszko\u00a0<\/strong><\/p>\n

Latem brz\u00f3zka ma\u0142a, lyrics J. Czeczot
\nCztery pory roku, lyrics A. Michaux
\nWiosna, lyrics S. Witwicki
\nPolna r\u00f3\u017cyczka, lyrics J. Grajnert
\nNawr\u00f3cona, lyrics J.W. Goethe, translated by K. Brodzi\u0144ski
\nZosia, lyrics J.W. Goethe, translated by A. Mickiewicz
\nPrz\u0105\u015bniczka, lyrics J. Czeczot
\nNiepewno\u015b\u0107, lyrics A. Mickiewicz<\/p>\n

PERFORMERS<\/h4>\n

JUSTYNA ST\u0118PIE\u0143<\/a>\u00a0 <\/strong>SOPRANO
\n<\/strong>DOROTA LACHOWICZ \u00a0<\/a><\/strong>MEZZO-SOPRANO
\n<\/strong>WITOLD \u017bO\u0141\u0104DKIEWICZ<\/a>\u00a0 <\/strong>BARITONE<\/p>\n

DAGMARA DUDZI\u0143SKA<\/strong><\/a> PIANO<\/p>\n

 <\/p>\n

Duration of the concert: approx. 1 hour.<\/p>\n

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Seats are not numbered.<\/p>\n

PLEASE NOTE: the entrance to the Royal Theatre in the \u0141azienki Park is located in ul. Agrykola.<\/strong><\/p>\n

One hour before the performance, and also for an hour after its end, the audience can use the electric cart running between the Royal Theater and the \u0141azienki Gate at the corner of My\u015bliwiecka \/ Agrykola streets.\"pastedGraphic.png\"<\/p>\n

 <\/p>\n

We kindly encourage you to read the rules of participation in cultural events organized by the Polish Royal Opera:<\/p>\n