{"id":15955,"date":"2020-07-30T23:47:31","date_gmt":"2020-07-30T21:47:31","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&p=15955"},"modified":"2020-09-14T16:52:07","modified_gmt":"2020-09-14T14:52:07","slug":"noverre-en-action-ballet-premiere","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/noverre-en-action-ballet-premiere\/","title":{"rendered":"NOVERRE EN ACTION \/ BALLET PREMIERE"},"content":{"rendered":"

EVENT AS PART OF THE FESTIVAL IN TEMPORE REGUM – Music of the Time of Kings<\/p>\n

Everything which is deprived of action is unworthy of the Theatre<\/em>.<\/p>\n

\u2013 claimed Jean-Georges Noverre (1727-1810), great reformer of the dance, often called the \u201cfather of modern ballet\u201d, author of the famous Lettres sur la danse et sur les ballets<\/em> (Letters on dancing and ballets)<\/em>. Having spent extraordinarily prolific years in Lyon, he then moved on to serving as ballet master in Stuttgart in 1760 at the court of Charles Eugene, Duke of W\u00fcrttemberg. Having a 120-person ensemble at his disposal, including 20 soloists, and cooperating with Niccol\u00f2 Jommelli \u2013 the outstanding composer, Seryandoni the stage designer and having Bouquet responsible for costumes, Noverre successfully put his inventive ideas into practice. Drawing from mythology and antiquity, he created expressive ballets in the whole new form of ballet d\u2019action<\/em>. A simplified costume, distinctive face (deprived of a mask), and a meaningful and fully dramatic gesture \u2013 these were the elements of a whole new meaning to the ballet art, in which dance not only delights, but also moves and speaks its own language.<\/p>\n

What would the history of the ballet have looked like at the Polish court of king Stanislaus Augustus, had the king accepted Noverre\u2019s services when he offered them? We will never know. It is delightful, however, to know that such grand master\u2019s ideas will find their way to the stage at the Theatre of King Stanislaus Augustus at the Royal \u0141azienki Park in Warsaw during the IN TEMPORE REGUM Festival. This will be a historical moment, as the Polish Royal Opera will, for the first time, have the honour to invite the Spectators to a ballet premiere.<\/p>\n

Marta Dziewanowska-Pachowska<\/span><\/p>\n

 <\/p>\n

SCREENPLAY, STAGE DIRECTOR, CHOREOGRAPHY ROMANA AGNEL<\/strong><\/p>\n

MUSIC DIRECTOR , HARPSICHORD LILIANNA STAWARZ<\/strong><\/p>\n

SCENOGRAPHY MARLENA SKONECZKO<\/strong><\/p>\n

LIGHT DIRECTING KAROLINA G\u0118BSKA<\/strong><\/p>\n

PROJECTIONS\u00a0 MAREK ZAMOJSKI<\/strong><\/p>\n

LIGHTING PIOTR RUDZKI<\/strong><\/p>\n

 <\/p>\n

PERFORMERS<\/span><\/strong><\/h4>\n

CRACOVIA DANZA BALLET DANCERS
\nunder the supervision of Romana Agnel:<\/strong><\/p>\n

KING STANISLAW AUGUST PONIATOWSKI DARIUSZ BROJEK<\/strong>
\nJEAN-GEORGES NOVERRE\u00a0 \u0141UKASZ SZKI\u0141\u0104D\u0179<\/strong>
\nCOURTIER, NOVERRE’S BALLET DANCER MARTA BARANOWSKA<\/strong>
\nCOURTIER, NOVERRE’S BALLET DANCER NIKOLETA GIANKAKI<\/strong>
\nCOURTIER, NOVERRE’S BALLET DANCER EWELINA KELLER<\/strong>
\nNOVERRE’S BALLET DANCER MA\u0141GORZATA NABRZESKA<\/strong>
\nNOVERRE’S BALLET DANCER MICHA\u0141 K\u0118PKA
\n<\/strong>COURTIER, NOVERRE’S BALLET DANCER \u00a0SEBASTIAN KUBACKI<\/strong>
\nSECRETARY OF THE KING OF POLAND STANIS\u0141AW AUGUST PONIATOWSKI\u00a0 SEBASTIAN SZUL<\/strong><\/p>\n

THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/a><\/strong><\/p>\n

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Seats are not numbered.<\/p>\n

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We kindly encourage you to read the rules of participation in cultural events organized by the Polish Royal Opera:<\/p>\n