{"id":15906,"date":"2020-07-21T09:00:13","date_gmt":"2020-07-21T07:00:13","guid":{"rendered":"https:\/\/operakrolewska.pl\/?post_type=repetoire&#038;p=15906"},"modified":"2020-09-29T01:38:22","modified_gmt":"2020-09-28T23:38:22","slug":"lully-campra-music-at-the-court-of-august-ii","status":"publish","type":"repetoire","link":"https:\/\/operakrolewska.pl\/en\/repetoire\/lully-campra-music-at-the-court-of-august-ii\/","title":{"rendered":"LULLY &#8211; CAMPRA \/ FRENCH MUSIC AT THE COURT OF AUGUST II"},"content":{"rendered":"<p>EVENT AS PART OF THE FESTIVAL IN TEMPORE REGUM &#8211; Music of the Time of Kings<\/p>\n<p>Music played a significant role at the royal court \u2013 for not only did it serve as entertainment, but it also increased prestige of the ruler and helped to shape their image. Augustus II, ruling both Poland and Saxony, became famous for his particular care for high standards of the artistic settings of royal parties. Apart from having the royal ensemble, the court also saw foreign music bands, including Louis Deschaliers\u2019 French opera troupe, which was staying in Warsaw in the beginning years of the 18<sup>th<\/sup> century.<\/p>\n<p>It is very likely that this outstanding team\u2019s Warsaw repertoire included Jeana-Baptiste Lully\u2019s last and most remarkable piece \u2013 <em>Armide<\/em>, an opera in the genre of <em>trag\u00e9die en musique<\/em>, and Andr\u00e9 Campra\u2019s <em>L\u2019Europe galante <\/em>\u2013 an <em>op\u00e9ra-ballet<\/em>. In both pieces, dancing plays a very significant role. In Grzegorz Markiewicz\u2019s words: \u201cWhile <em>trag\u00e9die en musique<\/em>\u2019s role was to move and astonish, the <em>op\u00e9ra-ballet<\/em> served more as an entertainer and enchanter, as its action was dominated over by dance and music\u201d. It can be most notably heard in the instrumental fragments of both of the excellent compositions, which will be performed here by the Period Instruments Ensemble of the Polish Royal Opera Capella Regia Polona.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><span style=\"color: #999999;\">\u00a0Marta Dziewanowska-Pachowska<\/span><\/p>\n<h4 align=\"center\"><\/h4>\n<h4 align=\"center\"><\/h4>\n<h4 align=\"center\"><strong>THE PROGRAMME<\/strong><\/h4>\n<p style=\"text-align: center;\"><strong>Andre Campra \u2013\u00a0<em>Suite de l\u2019Europa Galante<br \/>\n<\/em><\/strong><em>Ouverture \u2013 Prelude \u2013 Premier Air, pour les Plaisirs \u2013 Prelude, pour la Discorde \u2013 Loure, pour les Ris et les Plaisirs \u2013 Canaries \u2013 Marche en Rondeau \u2013 I\u00a0Air \u2013 II\u00a0Air, Gayment \u2013 I\u00a0&amp; II\u00a0Rigaudon \u2013 I\u00a0&amp; II\u00a0Passepied \u2013 Pr\u00e9lude, Lentement \u2013 I\u00a0Air, pour les Espagnols \u2013 II\u00a0Air en Rondeau, Gay \u2013 Sarabande \u2013 Marche pour les Masques \u2013 Air pour les Masques \u2013 I\u00a0Chaconne en Rondeau \u2013 II\u00a0Chaconne en Rondeau \u2013 La Forlana \u2013 Menuet \u2013 Passacaille<\/em><\/p>\n<p style=\"text-align: center;\"><strong>Jean-Baptiste Lully \u2013\u00a0<em>Suite de Armide<br \/>\n<\/em><\/strong><em>Ouverture \u2013 Entr\u00e9e \u2013 Menuet. Gavotte en Ronda \u2013Entr\u00e9e \u2013 Menuet I\u00a0&amp; II\u00a0\u2013 Entr\u00e9e (Marche) \u2013 Rondeau \u2013 Prelude \u2013 Prelude: Lentement \u2013 Airs I\u00a0&amp; II\u00a0\u2013 Entr\u00e9e \u2013 Entr\u2019acte \u2013 Air \u2013 Entr\u2019acte. Gavotte. Canaries \u2013 Passacaille<\/em><\/p>\n<p>&nbsp;<\/p>\n<h4 align=\"center\"><strong><span lang=\"EN-GB\">PERFORMERS<\/span><\/strong><\/h4>\n<p style=\"text-align: center;\"><a href=\"https:\/\/operakrolewska.pl\/en\/the-period-instruments-ensemble-of-the-polish-royal-opera-capella-regia-polona\/\"><strong>THE PERIOD INSTRUMENTS ENSEMBLE OF THE POLISH ROYAL OPERA CAPELLA REGIA POLONA<\/strong><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/operakrolewska.pl\/en\/artysci\/krzysztof-garstka-2\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>KRZYSZTOF GARSTKA<\/strong><\/a> CONDUCTOR<\/p>\n<p><img decoding=\"async\" src=\"data:image\/png;base64,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\" alt=\"pastedGraphic.png\" \/><\/p>\n<p>Seats are not numbered.<\/p>\n<p><img decoding=\"async\" src=\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAcUAAAADCAYAAADiBxSZAAABYWlDQ1BrQ0dDb2xvclNwYWNlRGlzcGxheVAzAAAokWNgYFJJLCjIYWFgYMjNKykKcndSiIiMUmB\/yMAOhLwMYgwKicnFBY4BAT5AJQwwGhV8u8bACKIv64LMOiU1tUm1XsDXYqbw1YuvRJsw1aMArpTU4mQg\/QeIU5MLikoYGBhTgGzl8pICELsDyBYpAjoKyJ4DYqdD2BtA7CQI+whYTUiQM5B9A8hWSM5IBJrB+API1klCEk9HYkPtBQFul8zigpzESoUAYwKuJQOUpFaUgGjn\/ILKosz0jBIFR2AopSp45iXr6SgYGRiaMzCAwhyi+nMgOCwZxc4gxJrvMzDY7v\/\/\/\/9uhJjXfgaGjUCdXDsRYhoWDAyC3AwMJ3YWJBYlgoWYgZgpLY2B4dNyBgbeSAYG4QtAPdHFacZGYHlGHicGBtZ7\/\/9\/VmNgYJ\/MwPB3wv\/\/vxf9\/\/93MVDzHQaGA3kAFSFl7jXH0fsAAAA4ZVhJZk1NACoAAAAIAAGHaQAEAAAAAQAAABoAAAAAAAKgAgAEAAAAAQAAAcWgAwAEAAAAAQAAAAMAAAAA27rTlgAAAEJJREFUWAnt1TERADAIA0DqDOk4a68MmOAzZM8viRACBAgQIECgBc7vzLw8CBAgQIDAZoGq6k\/cbGA7AQIECBAYgQfRtQQCDvibKwAAAABJRU5ErkJggg==\" alt=\"pastedGraphic.png\" \/><\/p>\n<p>We kindly encourage you to read the rules of participation in cultural events organized by the Polish Royal Opera:<\/p>\n<ul>\n<li>If you are not feeling well, are ill, had contact with an infected person \u2013 stay home.<\/li>\n<li><b>Please, take a mask with you.<\/b> After entering the Theatre building you are obliged to wear a mask covering mouth and nose.<\/li>\n<li>Disinfect your hands after entering the Theatre building.<\/li>\n<li>Please remember to sign the <a href=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2020\/06\/regulations.pdf\"><b>Participant Declaration<\/b><\/a>. If possible, please bring the printed and signed declaration with you, if not \u2013 fill it in in the Theatre, in the place shown by the staff.<\/li>\n<li>The cloakroom will be closed on the day of the event. Please take your outerwear with you to the auditorium.<\/li>\n<li>Take the seat shown to you by the staff.<\/li>\n<li>Please come earlier \u2013 latecomers will not be allowed into the auditorium.<\/li>\n<\/ul>\n<p>We care about the safety of our Guests!<\/p>\n<ul>\n<li>Disinfectants are available at the entrance to the building.<\/li>\n<li>The common space and sanitary rooms are disinfected.<\/li>\n<li>Only 50% maximum of the seats in the auditorium will be available.<\/li>\n<li>We keep safe distance.<\/li>\n<\/ul>\n<p>Should you have questions, we are at your disposal on site or under the phone number +48 500 309 424.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2020\/06\/regulations.pdf\"><b>The Regulations of Ticket Sale and Participation in Artistic Events Organized by the Polish Royal Opera<\/b><\/a>.<\/p>\n<p><a href=\"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2020\/06\/regulations.pdf\"><b>The Declaration of the Participant of an Artistic Event Organized by the Polish Royal Opera in Warsaw<\/b><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>EVENT AS PART OF THE FESTIVAL IN TEMPORE REGUM &#8211; Music of the Time of Kings Music played a significant role at the royal court \u2013 for not only did it serve as entertainment, but it also increased prestige of the ruler and helped to shape their image. Augustus II, ruling both Poland and Saxony, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":15890,"template":"","meta":{"_acf_changed":false,"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","footnotes":""},"categories":[],"cykle":[],"sezon":[61],"class_list":["post-15906","repetoire","type-repetoire","status-publish","has-post-thumbnail","hentry","sezon-2020-2021-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>LULLY - CAMPRA \/ FRENCH MUSIC AT THE COURT OF AUGUST II - Polska Opera Kr&oacute;lewska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/lully-campra-music-at-the-court-of-august-ii\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LULLY - CAMPRA \/ FRENCH MUSIC AT THE COURT OF AUGUST II - Polska Opera Kr&oacute;lewska\" \/>\n<meta property=\"og:description\" content=\"EVENT AS PART OF THE FESTIVAL IN TEMPORE REGUM &#8211; Music of the Time of Kings Music played a significant role at the royal court \u2013 for not only did it serve as entertainment, but it also increased prestige of the ruler and helped to shape their image. 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