Soprano. Graduate of the Fryderyk Chopin Academy of Music in Warsaw, class led by Prof.\u00a0Janina Skalik. Kami\u0144ska perfected her skills during master courses taught by Wilma Lipp, Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau, or Jerzy Artysz.<\/p>\n
She made her debut on stage in 2006 as Donna Bettina in G. Bizet\u2019s Don Procopio<\/i> at the Warsaw Chamber Opera. She later gave many significant performances at this opera house. She appeared in Mozart\u2019s operas directed by Ryszard Peryt: as the Genie, Lady, and the Queen of the Night in The Magic Flute<\/i> (2006), Contessa in The Marriage of Figaro<\/i> (2008), Donna Anna in Don Giovanni<\/i> (2009), and Elettra in Idomeneo<\/i> (2009). Her other roles include Amenaide in G. Rossini\u2019s Tancredi<\/i> directed by Maciej Prus (2008), the title role in Jen\u016ffa<\/i>\u00a0by L. Janacek directed by Jitka Stokalska (2009), and Halka in the revival of the Vilnius version of Moniuszko\u2019s opera Halka<\/i> directed by Kazimierz Dejmek (2010).<\/p>\n
She’s gone on many tours abroad with the Warsaw Chamber Opera. Kami\u0144ska\u2019s performed in many opera houses in Japan, Germany, France, Spain, the Netherlands, and Austria. Particularly important in this respect are her performances in the Bunka Kaikan Tokyo and the Tokyo City Opera.<\/p>\n
In 2013, she made her debut in the Grand Theatre in \u0141\u00f3d\u017a as Abigaille in G. Verdi\u2019s Nabucco<\/i> conducted by Tadeusz Koz\u0142owski. That year she also sang in the Vilnius version of Halka<\/i> by S. Moniuszko in the Opera in Lviv.<\/p>\n
Since 2014 she\u2019s been associated with the Opera Nova in Bydgoszcz, where she sings the main parts in:\u00a0Halka<\/i>,\u00a0Nabucco<\/i>\u00a0(Abigaille),\u00a0The Gypsy Baron<\/i>\u00a0(Saffi),\u00a0The Revenge of the Bat<\/i>\u00a0(Rosalinde). In 2016, she played Elisabetha di Valois in the premiere of G. Verdi\u2019s Don Carlos<\/i> directed by W\u0142odzimierz Nurkowski. In 2017, she appeared as Contessa in The Marriage of Figaro<\/i> directed by Wojciech Adamczyk. That year she also made her debut at the Baltic Opera in the premiere performance of Nabucco<\/i> directed by Krzysztof Babicki.<\/p>\n
The artist\u2019s repertoire includes other soprano parts as well: the title Aida in G. Verdi\u2019s opera, Cio-cio-san in his Madama Butterfly<\/i>, and Hanna in S. Moniuszko\u2019s Straszny dw\u00f3r <\/i>(\u201cThe Haunted Manor\u201d). She\u2019s collaborated with many outstanding conductors and directors.<\/p>\n
Gabriela Kami\u0144ska gives many concerts. Her repertoire includes several dozen parts from many famous works, such as: Requiem<\/i>\u00a0by W. A. Mozart,\u00a0The Creation<\/i> by\u00a0J. Haydn,\u00a0Carmina Burana<\/i> by C. Orff,\u00a0Passio Domini Nostri Jesu Christi<\/i> by\u00a0J. Elsner,\u00a0Missa pro pace\u00a0<\/i>by W. Kilar. During recitals and concerts, both in Poland and abroad, the artist passionately performs songs and opera, oratorio, or operetta arias.<\/p>\n
Throughout the years she\u2019s participated in numerous composing projects and phonographic recordings, such as Bizet\u2019s Don Procopio<\/i> (Dynamic Italia publishing house). Currently, the artist is engaged in the project La Voce di Soprano<\/i>, which promotes a humorous approach to vocal music in Polish philharmonics.<\/p>\n
Since 2017 she\u2019s been a soloist at the Polish Royal Opera, where she acts in The Marriage of Figaro<\/i> and Don Giovanni<\/i> by W. A. Mozart, and S. Moniuszko\u2019s Straszny dw\u00f3r<\/i>, directed by Ryszard Peryt.<\/p>\n","protected":false},"featured_media":9631,"parent":0,"template":"","class_list":["post-18127","artysci","type-artysci","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\n