{"version":"1.0","provider_name":"Polska Opera Kr&oacute;lewska","provider_url":"https:\/\/operakrolewska.pl\/en\/","author_name":"malgorzata.wasniewska@operakrolewska.pl","author_url":"https:\/\/operakrolewska.pl\/en\/author\/malgorzata-wasniewskaoperakrolewska-pl\/","title":"JOHANN SEBASTIAN BACH \u2013 CANTATAS \/ PASIECZNIK \u2013 GARSTKA - Polska Opera Kr&oacute;lewska","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"lZeDZxhWZE\"><a href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/johann-sebastian-bach-cantatas-paciecznik-garstka\/\">JOHANN SEBASTIAN BACH \u2013 CANTATAS \/ PASIECZNIK \u2013 GARSTKA<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operakrolewska.pl\/en\/repetoire\/johann-sebastian-bach-cantatas-paciecznik-garstka\/embed\/#?secret=lZeDZxhWZE\" width=\"600\" height=\"338\" title=\"&#8220;JOHANN SEBASTIAN BACH \u2013 CANTATAS \/ PASIECZNIK \u2013 GARSTKA&#8221; &#8212; Polska Opera Kr&oacute;lewska\" data-secret=\"lZeDZxhWZE\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2019\/07\/capella_nowy.jpg","thumbnail_width":864,"thumbnail_height":490,"description":"During his tenure as cantor, Johann Sebastian Bach was obliged to prepare a new composition for each Sunday and church holiday. This does not mean, however, that he did not return to the works he had already performed. This is evidenced by the cantatas Mein Herze schwimmt im Blut, BWV 199 and Ich habe genug, [&hellip;]"}