{"version":"1.0","provider_name":"Polska Opera Kr&oacute;lewska","provider_url":"https:\/\/operakrolewska.pl\/en\/","author_name":"malgorzata.wasniewska@operakrolewska.pl","author_url":"https:\/\/operakrolewska.pl\/en\/author\/malgorzata-wasniewskaoperakrolewska-pl\/","title":"IL PRIMO UOMO \/ ARIAS FOR SENESINO AND NICOLINI - Polska Opera Kr&oacute;lewska","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"vMIJKjuNiC\"><a href=\"https:\/\/operakrolewska.pl\/en\/repetoire\/il-primo-uomo-arias-for-senesino-and-nicolini\/\">IL PRIMO UOMO \/ ARIAS FOR SENESINO AND NICOLINI<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operakrolewska.pl\/en\/repetoire\/il-primo-uomo-arias-for-senesino-and-nicolini\/embed\/#?secret=vMIJKjuNiC\" width=\"600\" height=\"338\" title=\"&#8220;IL PRIMO UOMO \/ ARIAS FOR SENESINO AND NICOLINI&#8221; &#8212; Polska Opera Kr&oacute;lewska\" data-secret=\"vMIJKjuNiC\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/operakrolewska.pl\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operakrolewska.pl\/wp-content\/uploads\/2023\/04\/www_w_drodze.jpg","thumbnail_width":864,"thumbnail_height":490,"description":"The concert in Szczawno-Zdr\u00f3j is part of the cycle Summer Encounters with Baroque The secret of the sound of the voices of castrati, mutilated in the name of art and subjected to scrupulous education, will remain enchanted in the bygone sonosphere of olden times. To this day, only accounts of these extraordinary performers have been [&hellip;]"}