1.0Polska Opera Królewskahttps://operakrolewska.pl/en/malgorzata.wasniewska@operakrolewska.plhttps://operakrolewska.pl/en/author/malgorzata-wasniewskaoperakrolewska-pl/PROTESTANT POLYPHONIES - Polska Opera Królewskarich600338<blockquote class="wp-embedded-content" data-secret="pMQ6DKR1lS"><a href="https://operakrolewska.pl/en/repetoire/protestant-polyphonies/">PROTESTANT POLYPHONIES</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://operakrolewska.pl/en/repetoire/protestant-polyphonies/embed/#?secret=pMQ6DKR1lS" width="600" height="338" title="“PROTESTANT POLYPHONIES” — Polska Opera Królewska" data-secret="pMQ6DKR1lS" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://operakrolewska.pl/wp-content/uploads/2025/01/birds_near_a_balustrade_by_melchior_d_hondecoeter-kopia-1.jpg860485Before the genius of Johann Sebastian Bach blazed across the firmament of history, many talented creators shaped the character of German sacred music throughout the sixteenth and seventeenth centuries. One of the first composers to draw on Italian innovations in his work was Johann Hermann Schein (1586–1630). Although he never left his homeland, his diligent […]